Phyllida Christian Lloyd, (born 17 June 1957) is an English film and theatre director and producer. She has been nominated for a British Academy Film Award, a European Film Award, a Laurence Olivier Award and two Tony Awards. She was made Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in 2010.
Her theatre work includes directing productions at the Royal Court Theatre and Royal National Theatre, and opera director for Opera North and the Royal Opera House Covent Garden. Her adaptation of three Shakespeare plays ( Julius Caesar, Henry IV and The Tempest) received acclaim from critics, with The Guardian calling it "one of the most important theatrical events of the past 20 years".
She is best known for directing Mamma Mia! (2008) and The Iron Lady (2011), the latter being an Academy Award winning film.
She moved on to the Royal Exchange Theatre, Manchester where she directed The Winter's Tale, The School for Scandal, Medea, and an acclaimed production of Death and the King's Horseman by Wole Soyinka. "Death and the Kings Horseman" , Royal Exchange Theatre website In 1991 she made her debut at the Royal Shakespeare Company with a well-received production of a little-known play by Thomas Shadwell, The Virtuoso. Although she followed this in 1992 with a successful production of the rarely seen Artists and Admirers by Alexander Ostrovsky, she has, as of 2007, never returned to the RSC.
Also in 1992 came her first commercial success: her Royal Court Theatre production of John Guare's Six Degrees of Separation transferred to the West End. In 1994 she made her debut at Royal National Theatre with a production of Pericles which divided the critics.See Pericles at the Royal National Theatre by Melissa Gibson, in Pericles: Critical Essays (Shakespeare Criticism, Volume 23) There was general praise, however, for her productions of Hysteria by Terry Johnson at the Royal Court and Bertolt Brecht/Kurt Weill's The Threepenny Opera at the Donmar Warehouse.
By this time, Lloyd's work had come to the attention of Nicholas Payne, then running Opera North. For her debut as an opera director he steered her to what was, at least in the UK, an obscurity – L'Etoile by Chabrier. The production was a great success, setting Lloyd on a significant and award-winning career as an opera director. Productions since then include La Boheme, Gloriana, Luigi Cherubini's Medea, Albert Herring and Peter Grimes for Opera North; Dialogues of the Carmelites for English National Opera/Welsh National Opera; Verdi's Macbeth (for the Bastille Opera and the Royal Opera House Covent Garden); the premiere of Poul Ruders' opera The Handmaid's Tale (from the novel by Margaret Atwood); and a controversial Ring cycle for ENO. For Gloriana A Film She received an International Emmy and a FIPA d'Or. Her productions have won the Royal Philharmonic Society Award in 1991 (Gloriana) 2000 (The Carmelites) and 2007 (Peter Grimes).
In spite of the mixed reception accorded to her first production at the National Theatre, Lloyd nonetheless returned to direct productions of The Way of the World, Pericles, What the Butler Saw, The Prime of Miss Jean Brodie and The Duchess of Malfi, which were well received. She directed an award-winning production of Boston Marriage at London's Donmar Warehouse in 2001. Other recent work includes Friedrich Schiller's Mary Stuart newly adapted by poet Peter Oswald, which ran at the Donmar Warehouse, London, and was transferred to the Apollo Theatre, London, and then to the broadway theatre in spring 2009.
Lloyd directed The Iron Lady, a biopic of former British Prime Minister Margaret Thatcher, with Meryl Streep as Thatcher. The film entered production in January 2011 and was released in December of that year. Meryl Streep won the Academy Award for Best Actress for her performance as Thatcher.Catherine Shoard "Meryl Streep's Margaret Thatcher revealed in first still from The Iron Lady", The Guardian, 8 February 2011 Lloyd's film Herself written by Clare Dunne and Malcolm Campbell and starring Clare Dunne premiered at The 2020 Sundance Film Festival.
2008 | Mamma Mia! | |||
2011 | The Iron Lady | |||
2018 | Mamma Mia! Here We Go Again! | |||
2020 | Herself | |||
2000 | Gloriana | TV movie | |
1987 | Accidental Death of an Anarchist | Dario Fo | Everyman Theatre, Cheltenham | |
1992 | Six Degrees of Separation | John Guare | Royal Court Theatre, London | |
1994 | The Threepenny Opera | Bertolt Brecht | Donmar Warehouse, London | |
1999 | Mamma Mia! | Catherine Johnson | Prince of Wales Theatre, London | |
2001 | Winter Garden Theater, Broadway | |||
2005 | Mary Stuart | Friedrich Schiller | Donmar Warehouse, London | |
2009 | Broadhurst Theater, Broadway | |||
2012 | Julius Cesar | William Shakespeare | Donmar Warehouse, London | |
Brooklyn Academy of Music | ||||
2013 | The Rime of the Ancient Mariner | Samuel Taylor Coleridge | Brooklyn Academy of Music | |
2015 | Josephine And I | Cush Jumbo | The Public Theater, Off-Broadway | |
Henry IV | William Shakespeare | Donmar Warehouse, London | ||
2016 | The Taming of the Shrew | The Public Theater, Off-Broadway | ||
Henry IV Parts 1 and 2 | Donmar Warehouse, London | |||
The Tempest | Donmar Warehouse, London | |||
Julius Cesar | Donmar Warehouse, London | |||
2018 | Tina | Various | Aldwych Theatre, London | |
2019 | Lunt-Fontanne Theatre, Broadway | |||
2024 | '' Grenfell: in the Words of Survivors | Gillian Slovo | St. Ann's Warehouse, Brooklyn | |
2025 | Mamma Mia! | Catherine Johnson | Winter Garden Theatre, Broadway |
2021 | Best Direction of a Musical | Tina | ||
2010 | Ranked 22nd Most Influential British LGBT Person | ||
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